![]() ![]() Just check to see what’s covered in your subscription. ![]() Having a production music subscription as an independent creator or small business is like getting your own personal blanket license-in other words, the same freedom and flexibility once reserved for major Hollywood studios, TV networks, and advertisers.Īnd, no, you don’t have to learn the ins and outs of licensing. Reason #2 – Subscriptions simplify the licensing process Additionally, many libraries have a plugin extension for Adobe Premiere Pro, so if you use that as your editing tool, it’ll put you that much closer to the music. This also includes alt mixes, stems, and loops for those libraries that offer extensive track variations (shameless plug alert: read ALIBI). ![]() Libraries are constantly adding content, so you have first-in-line access to the freshest tracks. Reason #1 – Access to robust content makes finding the perfect track much simplerįor a reasonable monthly subscription, you can access, search, and license the whole production music library without any price considerations. In my opinion, these are the five reasons independent creators should get a production music subscription. It’s still way cheaper than individually licensing tracks, and also great knowing you can just use anything you want instead of going through a laborious checkout process each time. This also extends to wedding videographers, photographers, and even local real estate companies, though they are typically charged a little more per month. With monthly plans that are tiered based on the type of user and where the content will be shown, independent content creators can get unlimited access to the same extensive, professionally composed music libraries used by major Hollywood studios, television networks, and consumer brands.įor a very reasonable price, they can make their work shine with higher quality music, whether producing a YouTube show, streaming commentary, or podcast, to name a few. The subscription model is taking over in many different industries, and production music is no different. Of course, then you have to factor in the navigation of music rights, a llowlisting (formerly whitelisting), and royalties, and the fear is real. In between are the production music sites offering track-by-track licensing, which is fine when you need a piece of music once in a while, but can be quite laborious when your content requires music more often. And because this music is available to everyone for free, who wants stuff that’s overused and sounds like everyone else’s? While you may find a hidden gem here and there, you’re largely sacrificing quality, selection, and track structure with such options. At the other end are the stock music sites offering free music licensing. After all, finding music to support your projects can be a daunting proposition, and there’s a lot of fear surrounding the process.Īt one end of the spectrum, you could hire a professional composer, but that’s likely beyond the budget for most burgeoning indie storytellers, YouTubers, and livestreamers. ![]()
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